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	<title>Art History Newsletter &#187; Film</title>
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	<description>News for Art Historians</description>
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		<title>International Festival of Films on Art</title>
		<link>http://arthistorynewsletter.com/blog/?p=1653</link>
		<comments>http://arthistorynewsletter.com/blog/?p=1653#comments</comments>
		<pubDate>Wed, 26 May 2010 13:02:53 +0000</pubDate>
		<dc:creator>Jon Lackman</dc:creator>
				<category><![CDATA[Film]]></category>

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		<description><![CDATA[At Artnet, David D’Arcy reviews the recent International Festival of Films on Art in Montreal: The fest featured no less than six films on Picasso, including Arne Glimcher’s unlikely Picasso and Braque Go to the Movies [which argues] that Cubism was inspired by early movies &#8230; Views on Vermeer – 12 Short Stories &#8230; weighs [...]]]></description>
			<content:encoded><![CDATA[<p>At <em>Artnet</em>, David D’Arcy <a target="_blank" href="http://www.artnet.com/magazineus/reviews/darcy/art-films5-25-10.asp">reviews</a> the recent International Festival of Films on Art in Montreal:</p>
<blockquote><p>The fest featured no less than six films on Picasso, including Arne Glimcher’s unlikely <em>Picasso and Braque Go to the Movies</em> [which argues] that Cubism was inspired by early movies &#8230; <em>Views on Vermeer – 12 Short Stories</em> &#8230; weighs Johannes Vermeer’s influence on contemporary artists, writers and others &#8230; The &#8220;Vermeer effect,&#8221; it turns out, is rather widespread today &#8230; Oeke Hoogendij’s <em>The New Rijksmuseum</em> provides an inside look at what apparently was a dispute-plagued renovation of Holland’s venerable art repository. Who would have thought that the sensible Dutch, in their effort to make the famous museum &#8220;more than a labyrinth&#8221; would produce a Tower of Babel, as the museum’s director asks before he quits in frustration.</p></blockquote>
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