Comments on: Digital Connoisseurship http://arthistorynewsletter.com/blog/?p=2900 News for Art Historians Tue, 16 Nov 2010 08:57:03 +0000 hourly 1 http://wordpress.org/?v=3.0.1 By: V http://arthistorynewsletter.com/blog/?p=2900&cpage=1#comment-139961 V Sun, 26 Sep 2010 17:01:01 +0000 http://arthistorynewsletter.com/blog/?p=2900#comment-139961 And Gazopa is also quite impressive http://www.gazopa.com/ And Gazopa is also quite impressive

http://www.gazopa.com/

]]> By: Doug http://arthistorynewsletter.com/blog/?p=2900&cpage=1#comment-139948 Doug Sat, 25 Sep 2010 20:08:12 +0000 http://arthistorynewsletter.com/blog/?p=2900#comment-139948 I mean even if slide IDing is less of a practical skill now, it's still a good way to start training one's eye for art. I mean even if slide IDing is less of a practical skill now, it’s still a good way to start training one’s eye for art.

]]> By: CAH http://arthistorynewsletter.com/blog/?p=2900&cpage=1#comment-139936 CAH Sat, 25 Sep 2010 00:28:30 +0000 http://arthistorynewsletter.com/blog/?p=2900#comment-139936 Thanks, Jon, for such an interesting posting. One use: sites like JJJJound are popularizing the 'inspiration board' approach to blogging, which assembles images with no hint at their digital origins. Two or three searches with Tin Eye suggests that even with a cut-and-paste approach that disregards context, tracing the images back to their source(s) is reasonably easy to do. The web seems simultaneously to fragment and offer directions for reassembly. Thanks, Jon, for such an interesting posting. One use: sites like JJJJound are popularizing the ‘inspiration board’ approach to blogging, which assembles images with no hint at their digital origins. Two or three searches with Tin Eye suggests that even with a cut-and-paste approach that disregards context, tracing the images back to their source(s) is reasonably easy to do. The web seems simultaneously to fragment and offer directions for reassembly.

]]> By: M http://arthistorynewsletter.com/blog/?p=2900&cpage=1#comment-139933 M Fri, 24 Sep 2010 16:48:45 +0000 http://arthistorynewsletter.com/blog/?p=2900#comment-139933 Wow, this is pretty fantastic. I wonder how this could affect the study of art history. Could there be less need for slide identification in the future, if technology can provide all of the answers? I would hope not (I already fear that technology has replaced my brain for far too many everyday things), but Tin Eye could prove me wrong. Wow, this is pretty fantastic. I wonder how this could affect the study of art history. Could there be less need for slide identification in the future, if technology can provide all of the answers? I would hope not (I already fear that technology has replaced my brain for far too many everyday things), but Tin Eye could prove me wrong.

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