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	<title>Comments on: &#8216;Decentering Modernism&#8217;</title>
	<atom:link href="http://arthistorynewsletter.com/blog/?feed=rss2&#038;p=797" rel="self" type="application/rss+xml" />
	<link>http://arthistorynewsletter.com/blog/?p=797</link>
	<description>News for Art Historians</description>
	<lastBuildDate>Tue, 16 Nov 2010 08:57:03 +0000</lastBuildDate>
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		<title>By: tw</title>
		<link>http://arthistorynewsletter.com/blog/?p=797&#038;cpage=1#comment-3017</link>
		<dc:creator>tw</dc:creator>
		<pubDate>Tue, 17 Feb 2009 17:00:22 +0000</pubDate>
		<guid isPermaLink="false">http://arthistorynewsletter.com/blog/?p=797#comment-3017</guid>
		<description>&quot;since the authors aim to deal with “art” as a universal category...&quot;

Did Mitter bother reading Art Since 1900 before making this critique?  It&#039;s a deeply flawed book, but not one of its authors would even think about positing works of art as at all &quot;universal.&quot;  Which, exactly, is the author committing the fallacy of copping to Kant&#039;s universalism?  Please.  The book&#039;s coverage of non-canon work is regrettable, but accusing those particular writers of universalism seems awfully misguided.</description>
		<content:encoded><![CDATA[<p>&#8220;since the authors aim to deal with “art” as a universal category&#8230;&#8221;</p>
<p>Did Mitter bother reading Art Since 1900 before making this critique?  It&#8217;s a deeply flawed book, but not one of its authors would even think about positing works of art as at all &#8220;universal.&#8221;  Which, exactly, is the author committing the fallacy of copping to Kant&#8217;s universalism?  Please.  The book&#8217;s coverage of non-canon work is regrettable, but accusing those particular writers of universalism seems awfully misguided.</p>
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