The Art History Newsletter

Access to Information in Art History

by | 2 May 2010 | Journals

I am fascinated by the state of publishing right now, as we are witnessing extreme polarization of access to information. Kelly just mentioned McGill University’s new journal SEACHANGE, which is part of the Open Access Movement.  Free for all.  No subscription needed.  Instant online access.

More such journals are popping up all the time.  The University of Pittsburgh, for example, has announced that it will start a new one called Contemporaneity: Historical Presence in Visual Culture.  The editorial team is now taking submissions for the first issue.  Others have been thriving for years.  Indeed, the Directory of Open Access Journals lists 129 titles in Arts and Architecture.   What do you think the best open access journals are in our discipline?

This movement seems to be thriving, in part, because many college and university libraries are cutting back on journal subscriptions.  (One librarian friend tells me that subscription prices to journals, particularly online, have risen in price at 10% per year for the past decade … way above inflation.)  We thus have a crisis of access, where only the wealthiest colleges and research universities are subscribing.

Schools that have embraced open access to information are particularly interesting to me.  MIT is in the vanguard. In addition to theses and dissertations, all scholarly articles by MIT faculty must be made available for free online, in a database called Dspace.  Exceptions require the approval of the administration.  I believe that Harvard’s Faculty of Arts and Sciences now has a similar policy.  I have not worked at such a school, but if any of you do please share your thoughts in the comments.

You may also be interested to know that MIT has a website that any scholar can use, regardless of institutional affiliation, to make an amendment to the publishing contracts that are sent to us all after our work has been accepted for printing.  The goal of such an amendment is for you to retain the right to publish your articles on your personal website or contribute them to an online archive.

My understanding is that retaining such rights to make scholarship publicly accessible is becoming common in the sciences because of the legal requirement to make the results of publicly-funded scientific research publicly available.  (PubMed started this trend.)  Scholars in the humanities have been slower to make the results of research publicly available, but I suspect that we will do so more in the future.

2 Comments

  1. Nai Baloot said on 3 May 2010 at 11:43 pm:

    “Indeed, the Directory of Open Access Journals lists 129 titles in Arts and Architecture.”

    /cough/ A lot more here…

    http://www.jurn.org/directory/

  2. Kelly Presutti said on 8 May 2010 at 12:51 am:

    Another aspect of the proliferation of journals is that more work, on more subjects, from more diverse and experimental voices, is being published. Might this lead to a resurgence of the more impassioned tones Ben mentions in his comment on this Ruskin post /blog/?p=1524 ? Newer journals certainly evade the tendency to conform one’s writing to an established journal’s entrenched style (cf the well-known parody “November”).