by Jon Lackman | 9 April 2008 | Museums
From Carol Diehl, “Impenetrable prose from the Whitney Biennial“:
…It is the problematizing of expectations and formalisms through destruction and transformations that is the heart of the continuing project…. (Todd Alden on Mika Tajima/New Humans)
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…invents puzzles out of non sequiturs to seek congruence in seemingly incongruous situations, whether visual or spatial…inhabits those interstitial spaces between understanding and confusion… (Trinie Dalton on Amanda Ross-Ho)
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…Thomson’s inherently conversational practice both gamely Pop-ifies its often antiaesthetic historical precedents and resituates that generation’s thought experiments in the social realm. (Suzanne Hudson on Mungo Thomson)[ ... there's more ...]
(via Time)
