by Jon Lackman | 25 April 2009 | Modern, Museums
Wrestling with the towering yet ambiguous figure of Rodin, sculptors tried for a newly austere, concise synthesis in the years leading up to the Great War — the subject of a thoughtful exhibition by Catherine Chevillot at the Musée d’Orsay.
Reviews are by Philippe Dagen in Le Monde (“Picasso is missing…Lehmbruck is the leading figure”), Béatrice de Rochebouët in Le Figaro, Annick Colonna-Césari in L’Express, Oliver Cena in Télérama, AFP/Expatica, and kulturport.hu.
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